|
Plasma Display Contrast Ratio
Explained
Many factors contribute to your satisfaction with a
big-screen home theater display.
Contrast ratio, while important, tells just part of the
story. Other factors range among picture size, peak brightness, color
accuracy, signal processing, motion handling, resolution, and pixel
aperture ratio (fill factor). Meanwhile, your viewing environment
and room lighting affect perceived quality in many of these areas.
For instance, room lighting has a dramatic affect on contrast ratio.
Bright rooms sharply reduce perceived contrast.
Contrast ratio (CR) is defined as the difference of luminance energy measured
from the brightest white and then compared to the luminance energy
measured from the darkest black of a particular device or a particular
environment.
How do we measure contrast ratio?
Test
patterns with all-white and all-black areas are put on the screen.
The light energy from the areas is then noted. For example, if the white area is
1000 candelas and the black area is 1 candela, the screen is said to
boast a 1000:1
contrast ratio.
What is the testing environment?
Engineers
test CR in a pitch-black testing room; otherwise, ambient light lowers
the measured ratio.
What about the contrast ratio of other displays in typical
viewing environments? In other words, what contrast ratio are we
already accustomed to?
•
Your
office computer's CRT, in office lighting, has a CR of only 20:1.
•
TV in
our living rooms, with subdued evening lighting, will net a CR of about
60:1.
•
Projected movies in good theaters - considered the most satisfactory
"display device"
- typically deliver a CR of 180:1.
We see that familiar display devices satisfy us with
relatively meager contrast ratio. Couple this with evidence showing we
humans, once our eyes adjust to the brightness of a new environment,
still only perceive a maximum CR of 100:1.
Then why do new Fujitsu monitors, measured at 1800:1
contrast ratio, look so good next to other plasma sets measured at 5000:1
CR?
Our 55"
plasma looks brighter than competing designs, because it's made differently than standard plasma sets. To explain why it
looks so good, let’s first review how standard plasma displays –
including our 50” award-winning plasma – make their pictures.
In a typical plasma display, rows of tiny lighting dots alternate
with rows of jet-black masking material.
This
masking is darker (reflecting less light) than the dots, even when the
set is turned off and no dots light up. This super-dark masking improves
contrast measurements, but limits the height of the
lighting dot within each pixel, in turn limiting
potential screen brightness. Also, the mask worsens the "screen door
effect" when you view from distances
closer than 7 feet. Finally, due to the small size of the lighting phosphors, the
primary colors wear at different rates. Colors shift easily and need
adjustment more often.
Fujitsu's 55" plasma design, featuring the e-ALiS (Extended
Alternate Lighting of Surfaces) driving method helps our Plasma
engineers make this set brighter, simpler, and longer lasting.
Here's why:
1.
The e-ALiS phosphors stand taller. So the lighting phosphor area
nearly doubles.
2.
The e-ALiS driving method lets the panel drive light from all the
phosphors, every video field, with only half the standard number of
electrodes and drivers.
3.
No masking is needed
because all the parts of the phosphor column light up. With the black
masking gone, video measuring devices generally report lower contrast
ratio figures for e-ALiS screens.
But does the non-masking e-ALiS method cause picture
quality to lessen? No. The extra brightness makes the picture look
better!
Internet resellers - and big-box resellers' ad writers –
have no showrooms to let you compare picture quality. That’s why they
depend heavily on numbers. However, when your Fujitsu custom a/v dealer
shows you Plasmavision display’s stunning picture quality, you can
believe your eyes. This is where the Fujitsu 55"
Plasmavision display really shines.

|